Before Use, review the safety manual, Proper Examination of MAX Menace Arm, prior to operation.
What is the MAX Menace Arm?
MAX Menace Arm lets grips and gaffers hang a light, flag, or camera exactly where a stand can't go - flush against a wall, into a corner, over a set wall, off a rooftop, or below a balcony railing - without touching the location. It was built to solve one specific, recurring problem: how do you rig a light in a spot where nothing can be attached to walls or ceiling, there's no floor space for a standard counterbalance boom, and the rig must be kept out of frame. MAX answers these challenges with a self-leveling head, a counterbalanced-from-the-base arm that extends up to 17.5 feet parallel to a 10-foot ceiling, goes 6 feet below grade, and tops out over 20 feet in the air.
A Grip's Solution, Not a Factory Concept
MAX started out on set - Key Grip Richard Mall built the first version out of necessity while rigging a backlight where nothing could touch the walls. Matthews brought this solution to market in the mid-aughts. Word spread from crew to crew, and MAX went on to work on hundreds of productions - Avatar, Inception, The Dark Knight, Iron Man 1, 2, and 3, There Will Be Blood, The Curious Case of Benjamin Button, - and many, many more following its Sci-Tech Academy Award Win.
Academy Recognition
In recognition of MAX's impact on the industry, the Academy of Motion Picture Arts and Sciences honored Richard Mall with a Scientific and Technical Award for the design and development of the MAX Menace Arm, presented at the Academy's Sci-Tech Awards ceremony in February 2013. The Academy cited it as a "safe and adjustable device that allows rapid, precise positioning of lighting fixtures, cameras or accessories" - recognition rarely given to grip equipment.
What It's Used For
- Backlights and top lights in spaces with no ceiling grid or rigging points
- Lighting over set walls without cutting or building through them
- Light placement on rooftops or balconies to go below grade
- Flags, frames, and diffusions boom in out of frame
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